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A new series of nimble pataphysical pamphlets

A new series of nimble pataphysical pamphlets

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Tag: German cinema

Sade’s Piano: Control and Abjection in the Films of Michael Haneke

July 28, 2020July 28, 2020affect theory, control, George Bataille, German cinema, La Pianiste, Marquis de Sade, Marta Figlerowicz, materialism, Michael Haneke, objectification, The Piano Teacher, vitalism

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